[W]hy is it any better to pander to the "creative class" than it is to pander to the traditional business class? Yes, one strategy uses "incentives" and tax cuts to get companies to move from one state to another, while the other advises us to emphasize music festivals and art galleries when we make our appeal to that exalted cohort. But neither approach imagines a future arising from something other than government abasing itself before the wealthy.
Comments (11)
It is a very good question. I think the answer is very simple though. Portland elected Sam and he is convinced that "cool" is better than "works". Cars work, buses work, cafes work, etc. No good reason to destroy all that was working just to build streetcars, light rail, food carts, bike paths, etc. It was all just a huge waste of money. Nothing more than Sam and his friends using taxpayer money to pursue what they thought was cool, iconic and sustainable.
Lately I've been thinking that we're mostly just arguing about where to put the deck chairs on the Titanic. The US consumer economy is over, because the 1% doesn't want to support a middle class anymore. Marx predicted it, and here we are!
The only hope for our kids is education, and we have a Superintendant and Board who didn't know they had a HS dropout problem until the Oregonian said so, and nobody bats an eye. Then we we have Sim City playing elected officials who view education $$ as begging to be turned over the real estate weasels for conversion into condo bunkers, which the developers getting these public subsidies really intend from the drawing board to be cheap rental apartments. It's not the ownership market that is tight!
If vibrant means bicycle lanes, beer, pot and urban chickens, then, sure we are. Too bad that is enough for so many people.
Portland's real problem is their pension obligations. Saxon was screaming about PERS what, how many years ago while running for Govenor? We knew PERS was killing Oregon for what, 8 to 10 years now? And, other than the modest changes that Gov Teddy pushed through in 2002 or 2003, nothing has been done to bring PERS into a realistic, sustainable and long-term viable status. The unions can continue to play "four corner offense" by stalling any real reforms, and running out the clock for at least another 3 or 4 years, maybe 6-8. And the Democrats are scared witless about what the unions did to Greg Macpherson, so nobody in Oregon will dare cross them again, even with reasonable PERS reforms. We are years away from losing it's hipster vibrancy.
dyspeptic The US consumer economy is over, because the 1% doesn't want to support a middle class anymore. JK: The 1% never supported the middle class - they don't have enough money. The problem is government: Corruptly feeding massive amounts of money to crackpot ideas such as solar, wind light rail, smart growth, high speed rail, CRC and forcing the middle class to pay for it. And paying people not to work (different than helping the needy.)
nothing has been done to bring PERS into a realistic, sustainable and long-term viable status
Are you kidding? PERS is just the tip of the iceberg for Portland. On top of PERS, it has about a $3 billion pension liability to police and firefighters that is completely unfunded. As in 0%.
[W]hy is it any better to pander to the “creative class” than it is to pander to the traditional business class? JK: It isn't!
Earlier, Bojack http://bojack.org/2012/06/creative_class_spiel_was_pure.html linked to a debunking of Florida’s “creative Class” BS (bold added):
” Krätke broke Florida’s Creative Class (which includes accountants, realtors, bankers and politicians) into five separate groups and found that only the “scientifically and technologically creative” workers had an impact on regional GDP.”
Plain simple common sense. To bad there is none of that at Metro, County or City Hall.
More from the article (bold added):
Perhaps one of the most damning studies was in some ways the simplest. In 2009 Michele Hoyman and Chris Faricy published a study using Florida’s own data from 1990 to 2004, in which they tried to find a link between the presence of the creative class workers and any kind of economic growth. “The results were pretty striking,” said Faricy, who now teaches political science at Washington State University. “The measurement of the creative class that Florida uses in his book does not correlate with any known measure of economic growth and development. Basically, we were able to show that the emperor has no clothes.” Their study also questioned whether the migration of the creative class was happening. “Florida said that creative class presence—bohemians, gays, artists—will draw what we used to call yuppies in,” says Hoyman. “We did not find that.”
In other words the creative class is just more self deluded bull shat from the planning class.
"Are you kidding? PERS is just the tip of the iceberg for Portland."
Yes, you are quite correct. I was using PERS as a shorthand for all government pension liability.
How they can continue to somehow keep that liability off the books still baffles me. The mentality that all is okay since there are still checks in the checkbook..... Unsustainable longterm, but short-term they can still ignore the problem.
It's disclosed in the financial statements, but buried way down. The banks know about it, but you have to wonder whether the Grandmas buying the "Aaa" Portland bonds do.
In my view, the creative class suffers most when the city is debt swamping and putting our economy in a downward spiral every which way we look it seems. When people's pockets are picked over and over, no discretionary money left for the arts, music, theater, etc. So now Sam wants to make up some difference. The arts ought to take an overall look as to why they are hurting and see what is the result of Sam's and those who pull his strings plans. This in the same way as the schools, Sam wants the appearances of helping, but the overall shenanigans of pet projects, URA's, etc. has harmed the schools in the first place. People need to wake up and pay attention with the Curtain Open (perceptions of helping)and Curtain Closed(plans behind scenes harming)here.
Charamba, Douro 2008
Horse Heaven Hills, Cabernet 2010
Lorelle, Horse Heaven Hills Pinot Grigio 2011
Avignonesi, Montepulciano 2004
Lorelle, Willamette Valley Pinot Noir 2011
Villa Antinori, Toscana 2007
Mercedes Eguren, Cabernet Sauvignon 2009
Lorelle, Columbia Valley Cabernet 2011
Purple Moon, Merlot 2011
Purple Moon, Chardonnnay 2011
Abacela, Vintner's Blend No. 12
Opula Red Blend 2010
Liberte, Pinot Noir 2010
Chateau Ste. Michelle, Indian Wells Red Blend 2010
Woodbridge, Chardonnay 2011
King Estate, Pinot Noir 2011
Famille Perrin, Cotes du Rhone Villages 2010
Columbia Crest, Les Chevaux Red 2010
14 Hands, Hot to Trot White Blend
Familia Bianchi, Malbec 2009
Terrapin Cellars, Pinot Gris 2011
Columbia Crest, Walter Clore Private Reserve 2009
Campo Viejo, Rioja, Termpranillo 2010
Ravenswood, Cabernet Sauvignon 2009
Quinta das Amoras, Vinho Tinto 2010
Waterbrook, Reserve Merlot 2009
Lorelle, Horse Heaven Hills, Pinot Grigio 2011
Tarantas, Rose
Chateau Lajarre, Bordeaux 2009
La Vielle Ferme, Rose 2011
Benvolio, Pinot Grigio 2011
Nobilo Icon, Pinot Noir 2009
Lello, Douro Tinto 2009
Quinson Fils, Cotes de Provence Rose 2011
Anindor, Pinot Gris 2010
Buenas Ondas, Syrah Rose 2010
Les Fiefs d'Anglars, Malbec 2009
14 Hands, Pinot Gris 2011
Conundrum 2012
Condes de Albarei, Albariño 2011
Columbia Crest, Walter Clore Private Reserve 2007
Penelope Sanchez, Garnacha Syrah 2010
Canoe Ridge, Merlot 2007
Atalaya do Mar, Godello 2010
Vega Montan, Mencia
Benvolio, Pinot Grigio
Nobilo Icon, Pinot Noir, Marlborough 2009
Portuga, Rose 2011
Revelation, Chardonnay, Pays d'Oc 2010
Beaulieu, Cabernet, Rutherford 2005
Monte Alto, Tinto Reserva 2005
Chateau Ste. Michelle, Cabernet, Indian Wells 2009
Espiral, Vinho Rose
Vin-Koru, Pinot Gris 2011
14 Hands, Hot to Trot Red 2009
Rodney Strong, Cabernet, Sonoma 2009
Abacela, Vintner's Blend #11
Portuga, White 2010
La Bourgeoisie, Red 2009
Januik, Red 2009
Three Rivers, River's Red 2008
Kirkland, Alexander Valley Merlot 2008
Muga, Rioja Rose 2010
Quinta das Amoras, Vinho Tinto 2009
Mauro Molino, Barbera d'Alba 2009
Garda Chiaretto Rose
Columbia Crest, Two Vines Vineyard 10 White
Chateau Ste. Michelle, Pinot Gris, Columbia Valley 2009
L'Hortus, Rose de Saignee 2010
Maculan, Pino & Toi 2008
McKinley Springs, Bombing Range Red 2008
Trader Joe's Pinot Gris 2009
Montes Alpha, Cabernet 2007
Gran Sasso, Sangiovese, Terre di Chieti 2009
Garda, Classico Chiaretto Rose
Beaulieu, Cabernet, Rutherford 1999
Picos del Montgo, Tempranillo 2008
Chateau de Montmirail, Vacqueyras 2008
La Granja 360, Syrah 2009
Montgras, Carmenere Reserva 2009
Lange, Pinot Gris 2009
Columbia Crest, Horse Heaven Hills Cabernet 2008
Kirkland, Pinot Grigio 2010
Trader Joe's Coastal Syrah 2009
Columbia Crest, Horse Heaven Hills Merlot 2008
Trader Joe's Coastal Chardonnay 2009
Vieux Papes Red
Domaine de l'Aujardiere, Chardonnay 2009
Santa Rita, Cabernet, Medalla Real 2007
Penfold's, Koonunga Hill Shiraz Cabernet 2008
Guild, Red, Lot #02 2008
Dievole, Dievolino Sangiovese 2008
Laforet, Burgogne Chardonnay 2009
Columbia Winery, Merlot 2007
Bonterra, Cabernet 2008
Elk Cove, Pinot Gris 2009
Maquis Lien 2006
Scott Paul, Pinot Noir, Le Paulee 2007
The Occasional Book
Hope Larson - A Wrinkle in Time, the Graphic Novel
Rudyard Kipling - Kim
Peter Ames Carlin - Bruce
Fran Cannon Slayton - When the Whistle Blows
Neil Young - Waging Heavy Peace
Mark Bego - Aretha Franklin, the Queen of Soul (2012 ed.)
Jenny Lawson - Let's Pretend This Never Happened
J.D. Salinger - Franny and Zooey
Charles Dickens - A Christmas Carol
Timothy Egan - The Big Burn
Deborah Eisenberg - Transactions in a Foreign Currency
Kurt Vonnegut Jr. - Slaughterhouse Five
Kathryn Lance - Pandora's Genes
Cheryl Strayed - Wild
Fyodor Dostoyevsky - The Brothers Karamazov
Jack London - The House of Pride, and Other Tales of Hawaii
Jack Walker - The Extraordinary Rendition of Vincent Dellamaria
Colum McCann - Let the Great World Spin
Niccolò Machiavelli - The Prince
Harper Lee - To Kill a Mockingbird
Emma McLaughlin & Nicola Kraus - The Nanny Diaries
Brian Selznick - The Invention of Hugo Cabret
Sharon Creech - Walk Two Moons
Keith Richards - Life
F. Sionil Jose - Dusk
Natalie Babbitt - Tuck Everlasting
Justin Halpern - S#*t My Dad Says
Mark Herrmann - The Curmudgeon's Guide to Practicing Law
Barry Glassner - The Gospel of Food
Phil Stanford - The Peyton-Allan Files
Jesse Katz - The Opposite Field
Evelyn Waugh - Brideshead Revisited
J.K. Rowling - Harry Potter and the Sorcerer's Stone
David Sedaris - Holidays on Ice
Donald Miller - A Million Miles in a Thousand Years
Mitch Albom - Have a Little Faith
C.S. Lewis - The Magician's Nephew
F. Scott Fitzgerald - The Great Gatsby
William Shakespeare - A Midsummer Night's Dream
Ivan Doig - Bucking the Sun
Penda Diakité - I Lost My Tooth in Africa
Grace Lin - The Year of the Rat
Oscar Hijuelos - Mr. Ives' Christmas
Madeline L'Engle - A Wrinkle in Time
Steven Hart - The Last Three Miles
David Sedaris - Me Talk Pretty One Day
Karen Armstrong - The Spiral Staircase
Charles Larson - The Portland Murders
Adrian Wojnarowski - The Miracle of St. Anthony
William H. Colby - Long Goodbye
Steven D. Stark - Meet the Beatles
Phil Stanford - Portland Confidential
Rick Moody - Garden State
Jonathan Schwartz - All in Good Time
David Sedaris - Dress Your Family in Corduroy and Denim
Anthony Holden - Big Deal
Robert J. Spitzer - The Spirit of Leadership
James McManus - Positively Fifth Street
Jeff Noon - Vurt
Road Work
Miles run year to date: 29
At this date last year: 66
Total run in 2012: 129
In 2011: 113
In 2010: 125
In 2009: 67
In 2008: 28
In 2007: 113
In 2006: 100
In 2005: 149
In 2004: 204
In 2003: 269
Comments (11)
It is a very good question. I think the answer is very simple though. Portland elected Sam and he is convinced that "cool" is better than "works". Cars work, buses work, cafes work, etc. No good reason to destroy all that was working just to build streetcars, light rail, food carts, bike paths, etc. It was all just a huge waste of money. Nothing more than Sam and his friends using taxpayer money to pursue what they thought was cool, iconic and sustainable.
Posted by Andy | July 21, 2012 11:32 AM
Lately I've been thinking that we're mostly just arguing about where to put the deck chairs on the Titanic. The US consumer economy is over, because the 1% doesn't want to support a middle class anymore. Marx predicted it, and here we are!
The only hope for our kids is education, and we have a Superintendant and Board who didn't know they had a HS dropout problem until the Oregonian said so, and nobody bats an eye. Then we we have Sim City playing elected officials who view education $$ as begging to be turned over the real estate weasels for conversion into condo bunkers, which the developers getting these public subsidies really intend from the drawing board to be cheap rental apartments. It's not the ownership market that is tight!
If vibrant means bicycle lanes, beer, pot and urban chickens, then, sure we are. Too bad that is enough for so many people.
Posted by dyspeptic | July 21, 2012 12:18 PM
As long as the credit card holds up, this city is vibrant as Hell...
I'll give it another year at most.
Posted by tim | July 21, 2012 12:58 PM
"I'll give it another year at most."
Oh ye of little faith.
Portland's real problem is their pension obligations. Saxon was screaming about PERS what, how many years ago while running for Govenor? We knew PERS was killing Oregon for what, 8 to 10 years now? And, other than the modest changes that Gov Teddy pushed through in 2002 or 2003, nothing has been done to bring PERS into a realistic, sustainable and long-term viable status. The unions can continue to play "four corner offense" by stalling any real reforms, and running out the clock for at least another 3 or 4 years, maybe 6-8. And the Democrats are scared witless about what the unions did to Greg Macpherson, so nobody in Oregon will dare cross them again, even with reasonable PERS reforms. We are years away from losing it's hipster vibrancy.
Posted by Harry | July 21, 2012 1:40 PM
dyspeptic The US consumer economy is over, because the 1% doesn't want to support a middle class anymore.
JK: The 1% never supported the middle class - they don't have enough money. The problem is government: Corruptly feeding massive amounts of money to crackpot ideas such as solar, wind light rail, smart growth, high speed rail, CRC and forcing the middle class to pay for it. And paying people not to work (different than helping the needy.)
Thanks
JK
Posted by jim karlock | July 21, 2012 1:41 PM
nothing has been done to bring PERS into a realistic, sustainable and long-term viable status
Are you kidding? PERS is just the tip of the iceberg for Portland. On top of PERS, it has about a $3 billion pension liability to police and firefighters that is completely unfunded. As in 0%.
Posted by Jack Bog | July 21, 2012 1:53 PM
[W]hy is it any better to pander to the “creative class” than it is to pander to the traditional business class?
JK: It isn't!
Earlier, Bojack http://bojack.org/2012/06/creative_class_spiel_was_pure.html linked to a debunking of Florida’s “creative Class” BS (bold added):
” Krätke broke Florida’s Creative Class (which includes accountants, realtors, bankers and politicians) into five separate groups and found that only the “scientifically and technologically creative” workers had an impact on regional GDP.”
Plain simple common sense. To bad there is none of that at Metro, County or City Hall.
More from the article (bold added):
Perhaps one of the most damning studies was in some ways the simplest. In 2009 Michele Hoyman and Chris Faricy published a study using Florida’s own data from 1990 to 2004, in which they tried to find a link between the presence of the creative class workers and any kind of economic growth. “The results were pretty striking,” said Faricy, who now teaches political science at Washington State University. “The measurement of the creative class that Florida uses in his book does not correlate with any known measure of economic growth and development. Basically, we were able to show that the emperor has no clothes.” Their study also questioned whether the migration of the creative class was happening. “Florida said that creative class presence—bohemians, gays, artists—will draw what we used to call yuppies in,” says Hoyman. “We did not find that.”
In other words the creative class is just more self deluded bull shat from the planning class.
Thanks
JK
Posted by jim karlock | July 21, 2012 1:54 PM
"Are you kidding? PERS is just the tip of the iceberg for Portland."
Yes, you are quite correct. I was using PERS as a shorthand for all government pension liability.
How they can continue to somehow keep that liability off the books still baffles me. The mentality that all is okay since there are still checks in the checkbook..... Unsustainable longterm, but short-term they can still ignore the problem.
Posted by Harry | July 21, 2012 2:07 PM
It's disclosed in the financial statements, but buried way down. The banks know about it, but you have to wonder whether the Grandmas buying the "Aaa" Portland bonds do.
Posted by Jack Bog | July 21, 2012 2:28 PM
I think its funny how they think Detroit's decline is due to a loss of "vibrancy"...
Posted by tankfixer | July 21, 2012 4:14 PM
In my view, the creative class suffers most when the city is debt swamping and putting our economy in a downward spiral every which way we look it seems. When people's pockets are picked over and over, no discretionary money left for the arts, music, theater, etc. So now Sam wants to make up some difference. The arts ought to take an overall look as to why they are hurting and see what is the result of Sam's and those who pull his strings plans. This in the same way as the schools, Sam wants the appearances of helping, but the overall shenanigans of pet projects, URA's, etc. has harmed the schools in the first place. People need to wake up and pay attention with the Curtain Open (perceptions of helping)and Curtain Closed(plans behind scenes harming)here.
Posted by clinamen | July 22, 2012 11:40 AM