My favorite statue in Portland is the ghostly commedia del arte drapery over by Lloyd Center on the corner of the tall state building on NE Oregon and 7th. I really do like it.
However, Portland is the turd on the mall art champion of the region.
I dunno, Jack. Are these decorations or works of art? Are they holding down manhole covers? The whole reduction to the shapes and medium thing is so early 20th century and copy categorical and unoriginal. You have people working part time for Hallmark at $10.00/hr. who doodle this crap all the time and then go home and have a Bud. I know quite a few folks who call themselves artists because they "make stuff" in different media. But nary a one seems to have a philosophy, weltanschauung or even a favorite TV Food Network chef. None seems to know what has gone before. I mean art doesn't have to say anything special. It can be documentary or simply pretty. But it doesn't have to be symbolic. It does not have to stem from the mind of a deeply perceptive someone who translates these perceptions into symbols for us to decipher. Yet to my little phenomenological pea brain, it does if it's going to be meaningful art. Crusts of bread and pigeons are called for here.
But it's a cairn! It's so, so, Old World, so ....Euro! Why, if you just close your eyes you can almost sense the spirit of wise and ancient pagan peoples!
. . . one can wonder how much input came from Yocom's office.
I especially liked this revelation (from the above article)
Like some of Adams' staff, Yocom's background doesn't dovetail with what she's been hired to do. Her resume is clearly of a politico, not an arts expert. Still, that doesn't make Yocom hesitate. The $65,000-a-year arts-policy job, she says, is tailored to her organizational strengths: She understands how City Hall works and will bring political clout to the arts.
and this:
Q: You were the mayor's campaign manager. Was this your reward?
A: That's a cynical point of view. But I expect to be judged against the bar we set in the 100 Day Plan. The work we do in the next 100 days is critical. It's not about me. It's about the community.
Our family is still scratching our heads over the "art" at NE 102 & Halsey. It looks like it ought to be a historical site, complete with a cable barrier so no one can walk on what appears to be a stone walkway. But the real puzzle is the double row of red slightly flexible poles. I've read that they're supposed to represent trees which can sway in the wind, but we can't figure out why they just didn't use real trees? It would be much more "green," not to mention beautiful.
TriMet: Creating jobs for starving artists so they won't need to wait for the bus (that comes less often, because we're using transit operations dollars to fund the art projects.)
The Artist has other pieces that include birds without stones and she does wear glasses....two thirds ain't bad. Looking back at what the Boomers called Art in the 70's really paved the way for such city funded garbage. More parks and less art please.
While some public art is commissioned and actually created for the place it will be placed, I've always secretly believed that it's a clearing house for large ugly pieces that artists couldn't sell and which had been cluttering up their studios.
Does anybody remember the bright idea (I think from the 80s) to insert public art in the median of I-5?
There's a sculpture someone downtown that has always reminded me of a cubic creature vomiting into a box. Anybody else remember that one?
None of it looks particularly contemplative. Looks like the stuff of local artists with limited formal training. Not top notch, by any means. Typical mediocre Portland.
Charamba, Douro 2008
Horse Heaven Hills, Cabernet 2010
Lorelle, Horse Heaven Hills Pinot Grigio 2011
Avignonesi, Montepulciano 2004
Lorelle, Willamette Valley Pinot Noir 2011
Villa Antinori, Toscana 2007
Mercedes Eguren, Cabernet Sauvignon 2009
Lorelle, Columbia Valley Cabernet 2011
Purple Moon, Merlot 2011
Purple Moon, Chardonnnay 2011
Abacela, Vintner's Blend No. 12
Opula Red Blend 2010
Liberte, Pinot Noir 2010
Chateau Ste. Michelle, Indian Wells Red Blend 2010
Woodbridge, Chardonnay 2011
King Estate, Pinot Noir 2011
Famille Perrin, Cotes du Rhone Villages 2010
Columbia Crest, Les Chevaux Red 2010
14 Hands, Hot to Trot White Blend
Familia Bianchi, Malbec 2009
Terrapin Cellars, Pinot Gris 2011
Columbia Crest, Walter Clore Private Reserve 2009
Campo Viejo, Rioja, Termpranillo 2010
Ravenswood, Cabernet Sauvignon 2009
Quinta das Amoras, Vinho Tinto 2010
Waterbrook, Reserve Merlot 2009
Lorelle, Horse Heaven Hills, Pinot Grigio 2011
Tarantas, Rose
Chateau Lajarre, Bordeaux 2009
La Vielle Ferme, Rose 2011
Benvolio, Pinot Grigio 2011
Nobilo Icon, Pinot Noir 2009
Lello, Douro Tinto 2009
Quinson Fils, Cotes de Provence Rose 2011
Anindor, Pinot Gris 2010
Buenas Ondas, Syrah Rose 2010
Les Fiefs d'Anglars, Malbec 2009
14 Hands, Pinot Gris 2011
Conundrum 2012
Condes de Albarei, Albariño 2011
Columbia Crest, Walter Clore Private Reserve 2007
Penelope Sanchez, Garnacha Syrah 2010
Canoe Ridge, Merlot 2007
Atalaya do Mar, Godello 2010
Vega Montan, Mencia
Benvolio, Pinot Grigio
Nobilo Icon, Pinot Noir, Marlborough 2009
Portuga, Rose 2011
Revelation, Chardonnay, Pays d'Oc 2010
Beaulieu, Cabernet, Rutherford 2005
Monte Alto, Tinto Reserva 2005
Chateau Ste. Michelle, Cabernet, Indian Wells 2009
Espiral, Vinho Rose
Vin-Koru, Pinot Gris 2011
14 Hands, Hot to Trot Red 2009
Rodney Strong, Cabernet, Sonoma 2009
Abacela, Vintner's Blend #11
Portuga, White 2010
La Bourgeoisie, Red 2009
Januik, Red 2009
Three Rivers, River's Red 2008
Kirkland, Alexander Valley Merlot 2008
Muga, Rioja Rose 2010
Quinta das Amoras, Vinho Tinto 2009
Mauro Molino, Barbera d'Alba 2009
Garda Chiaretto Rose
Columbia Crest, Two Vines Vineyard 10 White
Chateau Ste. Michelle, Pinot Gris, Columbia Valley 2009
L'Hortus, Rose de Saignee 2010
Maculan, Pino & Toi 2008
McKinley Springs, Bombing Range Red 2008
Trader Joe's Pinot Gris 2009
Montes Alpha, Cabernet 2007
Gran Sasso, Sangiovese, Terre di Chieti 2009
Garda, Classico Chiaretto Rose
Beaulieu, Cabernet, Rutherford 1999
Picos del Montgo, Tempranillo 2008
Chateau de Montmirail, Vacqueyras 2008
La Granja 360, Syrah 2009
Montgras, Carmenere Reserva 2009
Lange, Pinot Gris 2009
Columbia Crest, Horse Heaven Hills Cabernet 2008
Kirkland, Pinot Grigio 2010
Trader Joe's Coastal Syrah 2009
Columbia Crest, Horse Heaven Hills Merlot 2008
Trader Joe's Coastal Chardonnay 2009
Vieux Papes Red
Domaine de l'Aujardiere, Chardonnay 2009
Santa Rita, Cabernet, Medalla Real 2007
Penfold's, Koonunga Hill Shiraz Cabernet 2008
Guild, Red, Lot #02 2008
Dievole, Dievolino Sangiovese 2008
Laforet, Burgogne Chardonnay 2009
Columbia Winery, Merlot 2007
Bonterra, Cabernet 2008
Elk Cove, Pinot Gris 2009
Maquis Lien 2006
Scott Paul, Pinot Noir, Le Paulee 2007
The Occasional Book
Neil Young - Waging Heavy Peace
Mark Bego - Aretha Franklin, the Queen of Soul (2012 ed.)
Jenny Lawson - Let's Pretend This Never Happened
J.D. Salinger - Franny and Zooey
Charles Dickens - A Christmas Carol
Timothy Egan - The Big Burn
Deborah Eisenberg - Transactions in a Foreign Currency
Kurt Vonnegut Jr. - Slaughterhouse Five
Kathryn Lance - Pandora's Genes
Cheryl Strayed - Wild
Fyodor Dostoyevsky - The Brothers Karamazov
Jack London - The House of Pride, and Other Tales of Hawaii
Jack Walker - The Extraordinary Rendition of Vincent Dellamaria
Colum McCann - Let the Great World Spin
Niccolò Machiavelli - The Prince
Harper Lee - To Kill a Mockingbird
Emma McLaughlin & Nicola Kraus - The Nanny Diaries
Brian Selznick - The Invention of Hugo Cabret
Sharon Creech - Walk Two Moons
Keith Richards - Life
F. Sionil Jose - Dusk
Natalie Babbitt - Tuck Everlasting
Justin Halpern - S#*t My Dad Says
Mark Herrmann - The Curmudgeon's Guide to Practicing Law
Barry Glassner - The Gospel of Food
Phil Stanford - The Peyton-Allan Files
Jesse Katz - The Opposite Field
Evelyn Waugh - Brideshead Revisited
J.K. Rowling - Harry Potter and the Sorcerer's Stone
David Sedaris - Holidays on Ice
Donald Miller - A Million Miles in a Thousand Years
Mitch Albom - Have a Little Faith
C.S. Lewis - The Magician's Nephew
F. Scott Fitzgerald - The Great Gatsby
William Shakespeare - A Midsummer Night's Dream
Ivan Doig - Bucking the Sun
Penda Diakité - I Lost My Tooth in Africa
Grace Lin - The Year of the Rat
Oscar Hijuelos - Mr. Ives' Christmas
Madeline L'Engle - A Wrinkle in Time
Steven Hart - The Last Three Miles
David Sedaris - Me Talk Pretty One Day
Karen Armstrong - The Spiral Staircase
Charles Larson - The Portland Murders
Adrian Wojnarowski - The Miracle of St. Anthony
William H. Colby - Long Goodbye
Steven D. Stark - Meet the Beatles
Phil Stanford - Portland Confidential
Rick Moody - Garden State
Jonathan Schwartz - All in Good Time
David Sedaris - Dress Your Family in Corduroy and Denim
Anthony Holden - Big Deal
Robert J. Spitzer - The Spirit of Leadership
James McManus - Positively Fifth Street
Jeff Noon - Vurt
Road Work
Miles run year to date: 21
At this date last year: 52
Total run in 2012: 129
In 2011: 113
In 2010: 125
In 2009: 67
In 2008: 28
In 2007: 113
In 2006: 100
In 2005: 149
In 2004: 204
In 2003: 269
Comments (21)
First one seems really derivative of andy goldsworthy. (i highly recommend "rivers and tides" -- terrific documentary of that artist.)
Posted by Pjb | December 20, 2010 12:25 PM
My favorite statue in Portland is the ghostly commedia del arte drapery over by Lloyd Center on the corner of the tall state building on NE Oregon and 7th. I really do like it.
However, Portland is the turd on the mall art champion of the region.
This is uglier:
http://www.king5.com/news/Israeli-War-Crimes-signs-to-go-on-Metro-buses-112108154.html
Posted by Larry | December 20, 2010 12:26 PM
God, this town loves phalluses.
Posted by John Benton | December 20, 2010 12:44 PM
I dunno, Jack. Are these decorations or works of art? Are they holding down manhole covers? The whole reduction to the shapes and medium thing is so early 20th century and copy categorical and unoriginal. You have people working part time for Hallmark at $10.00/hr. who doodle this crap all the time and then go home and have a Bud. I know quite a few folks who call themselves artists because they "make stuff" in different media. But nary a one seems to have a philosophy, weltanschauung or even a favorite TV Food Network chef. None seems to know what has gone before. I mean art doesn't have to say anything special. It can be documentary or simply pretty. But it doesn't have to be symbolic. It does not have to stem from the mind of a deeply perceptive someone who translates these perceptions into symbols for us to decipher. Yet to my little phenomenological pea brain, it does if it's going to be meaningful art. Crusts of bread and pigeons are called for here.
Posted by Gary | December 20, 2010 1:11 PM
"Public art was a key component in revitalizing the Portland Mall"
Why is the sentence using the past tense? Is the mall "revitalized" now?
Posted by Snards | December 20, 2010 1:21 PM
But it's a cairn! It's so, so, Old World, so ....Euro! Why, if you just close your eyes you can almost sense the spirit of wise and ancient pagan peoples!
Ha ha, either way it is butt ugly.
Posted by jc | December 20, 2010 1:47 PM
should read:
"Public art was a key component in revitalizing creatives wallets".
Given what was said in this O interview/article:
http://blog.oregonlive.com/visualarts/2009/02/interview_jennifer_yocom_city.html
. . . one can wonder how much input came from Yocom's office.
I especially liked this revelation (from the above article)
Like some of Adams' staff, Yocom's background doesn't dovetail with what she's been hired to do. Her resume is clearly of a politico, not an arts expert. Still, that doesn't make Yocom hesitate. The $65,000-a-year arts-policy job, she says, is tailored to her organizational strengths: She understands how City Hall works and will bring political clout to the arts.
and this:
Q: You were the mayor's campaign manager. Was this your reward?
A: That's a cynical point of view. But I expect to be judged against the bar we set in the 100 Day Plan. The work we do in the next 100 days is critical. It's not about me. It's about the community.
Leaderless cronyism at it's finest.
Posted by msmith | December 20, 2010 1:49 PM
The last two items could be combined Jack- the homeless Twit-lets would fit in with the other art installations.
Posted by Doubting Thomas | December 20, 2010 2:16 PM
Kielbasa. The one looks like kielbasa to me.
Posted by PomMom of LO | December 20, 2010 2:38 PM
Kielbasa?
Well, you can put slices of it on crackers and while everyone might agree that it looks pretty but no one will be willing to take the first bite!
Posted by Starbuck | December 20, 2010 3:52 PM
Our family is still scratching our heads over the "art" at NE 102 & Halsey. It looks like it ought to be a historical site, complete with a cable barrier so no one can walk on what appears to be a stone walkway. But the real puzzle is the double row of red slightly flexible poles. I've read that they're supposed to represent trees which can sway in the wind, but we can't figure out why they just didn't use real trees? It would be much more "green," not to mention beautiful.
Posted by Michelle | December 20, 2010 4:55 PM
ugh - I wasn't sure if I was going to throw up (the whole thing looks out of focus and about to fall down) or get aroused.
Posted by umpire | December 20, 2010 5:10 PM
It is not Portland art unless you put a bird on it...right?
Posted by Bob Vina | December 20, 2010 6:31 PM
Can't we just agree to christen it the PNW dada nouveau pomo art movement? Just sayin'
Posted by LucsAdvo | December 20, 2010 7:20 PM
I'd just call it Trart.
Posted by Mojo | December 20, 2010 8:17 PM
TriMet: Creating jobs for starving artists so they won't need to wait for the bus (that comes less often, because we're using transit operations dollars to fund the art projects.)
Posted by Erik H. | December 20, 2010 8:18 PM
The Artist has other pieces that include birds without stones and she does wear glasses....two thirds ain't bad. Looking back at what the Boomers called Art in the 70's really paved the way for such city funded garbage. More parks and less art please.
Posted by Birdless Parks | December 20, 2010 9:32 PM
"Public art was a key component"
Be nice, but Portland is getting to look like my grandmother's attic between the neon, public toilets and some of this stuff.
Posted by Steve | December 21, 2010 9:12 AM
While some public art is commissioned and actually created for the place it will be placed, I've always secretly believed that it's a clearing house for large ugly pieces that artists couldn't sell and which had been cluttering up their studios.
Does anybody remember the bright idea (I think from the 80s) to insert public art in the median of I-5?
There's a sculpture someone downtown that has always reminded me of a cubic creature vomiting into a box. Anybody else remember that one?
Posted by NW Portlander | December 21, 2010 4:33 PM
None of it looks particularly contemplative. Looks like the stuff of local artists with limited formal training. Not top notch, by any means. Typical mediocre Portland.
Posted by SKA | December 22, 2010 8:46 AM
I know art, but I don't know what I like.
Posted by Allan L. | December 24, 2010 5:21 PM